Buffy and Frankenstein
Hills
(2004) lists a number of defining characteristics of cult TV that
contain
similarities
to the defining characteristics of pop genres (e.g. fantasy, science
fiction) discussed earlier in the Pop Genres paper. Can you
identify these and discuss why you think that these characteristics
are repeatedly viewed as underpinning popular genres.
Hills (2004)
suggests that two characteristic of cult TV are that it draws on the
fantastic world of speculative fiction (fantasy, horror, science
fiction), and that it makes the fantastic ordinary. Certainly, if we
look at cult TV shows, they could mostly fit into one of the
speculative fiction sub-genres. So for example in Science Fiction
there is Star Trek and Dr.
Who, Game of Thrones is fantasy,
and Buffy is horror.
I
would go further than Hills (2004). It appears to me that Cult TV
not only makes the fantastic ordinary, it is flippant about it. So
for example Buffy asks why she should preserve the arms of the
monster “In my experience body parts usually start flying around as
soon as you start fighting.” Interactions
between Buffy and Giles are similarly humorous even when discussing
extremely emotional or dangerous events.
Buffy:
“Before
I knew it, it was raining monsters.”
Giles:
“Hallelulia”
References
to a popular song seem out of place in a conversation about a such a
traumatic experience.
The
similarities between
Buffy and Gothic literature like Frankenstein has
been discussed in lectures, and
these are too obvious to be reiterated here.
One could also cite the
influence of Dracula
for the vampire theme, and even
non-speculative Gothic horror-type fiction such as Wuthering
Heights for its dark brooding
landscape and intense and destructive passions.
The
difference between these literary classics and Buffy is
that the former
are wall to wall misery. The Frankenstein monster kills Victor’s
entire family. Most
characters in Dracula are
either killed by vampires, become vampires or are scared
out of their wits by vampires. Wuthering Heights characters
die young and miserable. In
these books, the innocent suffer as much as the guilty.
Buffy could
be included in the Black Humour genre. It is influenced by the
comedy-horror cartoon Scooby Doo (the
name of the gang gives us a clue here), as much as it is by
Frankenstein. As has
been mentioned in lectures, innocents rarely die in Buffy.
Perhaps that is the secret to its appeal. It lets us be
frightened, but within the safer space of humour, and it protects us
against sadness and a sense
of injustice. It also
highlights the difference between European and American popular
literature.
But
that’s the topic for another blog.
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